Bug: AI fails to summarize
I'm getting a "Something went wrong" error when trying to use the AI summarize feature within the book Thinking and Seeing with Women in Revelation by Lynn Huber at this location, and nearby: https://ref.ly/logosres/thnkngsngwmnrvl?ref=Page.p+60&off=1296. Seems to work okay with other books I've tried so far, and even other sections of this book.
Using Verbumn 32.1.31 with Verbum Early Access.
Comments
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bumping in hopes of getting a response
Orthodox Bishop Alfeyev: "To be a theologian means to have experience of a personal encounter with God through prayer and worship."; Orthodox proverb: "We know where the Church is, we do not know where it is not."
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I am not running the Verbum exe but the Summarize feature does work for that resource using the Logos exe. (For what it is worth)
Same version #'s.This is the summary...
[quote]
Revelation 17Revelation 17 describes the vision of the Great Whore, a woman seated on a scarlet beast, adorned with luxurious attire and holding a golden cup filled with abominations. The text uses visual language to prompt the audience to envision the Whore, emphasizing her negative characteristics within the Roman understanding of prostitution. The Whore is associated with Babylon, which symbolizes the quintessential evil city or empire in the Hebrew prophetic tradition. However, the text and historical context suggest that Babylon metaphorically represents Rome. The metaphorical connection between Babylon and Rome is solidified through imagery such as sitting on many waters and seven mountains, traditionally associated with Rome. The text creates a conceptual space merging aspects of both Babylon and Rome, describing any city that fits the depiction of Babylon in these chapters.The text employs the conceptual domain of prostitution to depict Babylon-Rome as a city with negative traits such as shamelessness, excessiveness, and filth. It highlights Rome's unquenchable desire for wealth and power, as well as its association with violence and impurity. The Whore's clients, the kings of the earth, are depicted as being controlled by her, suggesting that political power is equated with sexual dominance. The text also draws upon the metaphorical connection between identity and appearance, portraying Rome as a Whore-Empress, similar to Juvenal's depiction of Messalina. The chapter ends with images of death and destruction, symbolizing the public dishonoring and humiliation of Rome.Overall, the text uses vivid imagery and metaphorical mappings to prompt the audience to envision Rome as a morally corrupt and powerful entity, ultimately seeking to drive a wedge between the audience and the dominant Roman culture.This was an AI generated summary for a section of this Logos resource.[quote]Huber, Lynn R. Thinking and Seeing with Women in Revelation. Edited by Mark Goodacre. Vol. 475. Library of New Testament Studies. London; New Delhi; New York; Sydney: Bloomsbury, 2013.
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This was an AI generated summary for a section of this Logos resource. [quote] Huber, Lynn R. Thinking and Seeing with Women in Revelation. Edited by Mark Goodacre. Vol. 475. Library of New Testament Studies. London; New Delhi; New York; Sydney: Bloomsbury, 2013.Roy said:I am not running the Verbum exe but the Summarize feature does work for that resource using the Logos exe. (For what it is worth)
Same version #'s.This is the summary...
[quote]
Revelation 17 Revelation 17 describes the vision of the Great Whore, a woman seated on a scarlet beast, adorned with luxurious attire and holding a golden cup filled with abominations. The text uses visual language to prompt the audience to envision the Whore, emphasizing her negative characteristics within the Roman understanding of prostitution. The Whore is associated with Babylon, which symbolizes the quintessential evil city or empire in the Hebrew prophetic tradition. However, the text and historical context suggest that Babylon metaphorically represents Rome. The metaphorical connection between Babylon and Rome is solidified through imagery such as sitting on many waters and seven mountains, traditionally associated with Rome. The text creates a conceptual space merging aspects of both Babylon and Rome, describing any city that fits the depiction of Babylon in these chapters. The text employs the conceptual domain of prostitution to depict Babylon-Rome as a city with negative traits such as shamelessness, excessiveness, and filth. It highlights Rome's unquenchable desire for wealth and power, as well as its association with violence and impurity. The Whore's clients, the kings of the earth, are depicted as being controlled by her, suggesting that political power is equated with sexual dominance. The text also draws upon the metaphorical connection between identity and appearance, portraying Rome as a Whore-Empress, similar to Juvenal's depiction of Messalina. The chapter ends with images of death and destruction, symbolizing the public dishonoring and humiliation of Rome. Overall, the text uses vivid imagery and metaphorical mappings to prompt the audience to envision Rome as a morally corrupt and powerful entity, ultimately seeking to drive a wedge between the audience and the dominant Roman culture.
I tried it again today, and this time it worked correctly.
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